GRAHAM FOUST





THE USUAL SUSPECTS


Ever unable to sit alone in a quiet room,
my dad “made something of himself,”
and, real and irreal, he often slept, fetal,
in what felt like a star in my skull.
The day before he died in a quiet room
in Wisconsin, I watched a weary fly—left over,
somehow, from the summer—check to see
if its legs were still there, and then I bludgeoned it.

One month later, on a crowded bus in Denver,
I made a poem much like this one,
and while it was “Language [check], Realism
[check], Poetry [check]”—a lineup I thought
I could pick myself out of—neither my mercies
nor my cruelties seemed entirely sincere.






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